Signs of Life, Moravian Gallery, Brno (forthcoming)

Level, Base, Florence
Late Harvest, Jiří Švestka Gallery, Prague

Hotovo (with Tomáš Džadoň), Moravian Gallery, Brno

A pause, more or less long, annex14, Zurich

Rien à dire, PCP Galerie, Paris
New Paintings, Tommy Simoens, Antwerp

The Latest (with Nina Chua), blip blip blip, East Street Arts, Leeds

Received Ideas and Means, Little Krimminals, Berlin
Geometry, Physics and the Science of Life, Tanya Leighton, Berlin
Pavel Büchler: Never had an idea in my life, Tommy Simoens, Antwerp

Now and Again, annex14, Zürich
(Honest) Work, Ikon Gallery, Birmingham

Back to Work, Tanya Leighton, Berlin
Pavel Büchler, Künstlerhaus Palais Thurn und Taxis, Bregenz

No Returns, Galleria Vistamare, Pescara, Italy
Idle Thoughts, The Whitworth Art Gallery, Manchester
No Time To Paint (with Paul Ozerlitszki), annex14, Zurich
Acid and Nicotine, Max Wigram Gallery, London

Work for Words, annex 14, Bern, Switzerland
No New Work, Max Wigram Gallery, London

Pavel Büchler, Front Room, Contemporary Art Museum, St. Louis
Working Title (with Evangelina Spiliopoulou), Peep-Hole, Milan

Studio Schwitters, Max Wigram Gallery, London
As if it had never ceased to exist, Kunstparterre, Munich
Labour in Vain, DOX Centre for Contemporary Art, Prague

Unfinished Sentences, annex14, Bern
Small Sculptures, Street Level Photoworks, Glasgow
L'imitation, Tanya Leighton, Berlin
Eclipse, Max Wigram Gallery, London

Hot Air, Sleeper, Edinburgh
Sold Out, Mix Wigram Gallery, London

So what?, objectif_exhibitions and muHKA, Antwerp
Pathologische Farben, annex 14, Bern
Pavel Büchler, Avi Mugrabi, Frances Stark, Van Abbemuseum, Eindhoven, Netherlands

Old, Rare and Unusual Roses, Goethe Institut, Dublin
Abesentmindedwindowgazing, Kunsthalle Bern, Bern
Plug-In #1, Van Abbemuseum, Eindhoven, Nettherlands

Pavel Büchler, Program, London

Conversation Pieces, Taidekeskus Mältinränta and Galleria Saskia, Tampere, Finland

Collected Poems, Centre for Artists Books, Dundee Contemporary Arts, Dundee, Scotland

Modern Paintings +, galleri s.e., Bergen
LIVE, The Gramophon, Hanover

Blind Spot, Artspace, Sydney

Pavel Büchler, Portfolio Gallery, Edinburgh

Untitled Portraits, Cambridge Darkroom, Cambridge

Untitled Portraits, Third Eye Centre, Glasgow

AM/OR, Camerawork, London

The Wall, Bookworks, London

The Weight of Worlds, Henry Moore Institute, Leeds
What are words worth?, McEvoy Foundation for the Arts, San Francisco

Ora et lege: The Palace of Concrete Poetry, curated by Monika Čejková, The Writers’ House of Georgia, Tbilisi
Rinnzekete bee bee nnz krr müü? Kurt Schwitters’ Ursonate in the art of today, curated by Petra Stegmann, Kunsthalle Wilhelmshaven, Wilhelmshaven
Austerlitz was his name, curated by Sam Steverlynck, Tlön Projects, A Tale of A Tub, Rotterdam

Below Zero, curated by Jiří hůla, Institute of Geophysics, Prague
Universum, The SEFO 2021 Triennial, curated by Gina Renotiére and Barbora Kundračíková, Olomouc
ANTS AND GRASSHOPPERS: reflections on the anxious object, curated by David Thorp, Flat Time House, London
Tempest, Tanya Leighton, Berlin

Faster Than Ever, IKON Gallery, Birmingham
Biennale Gherdëina VII: a breath? a name? – the ways of worldmaking, curated by Adam Budak, Ortisei, Val Gardena
Hippo Campus, curated by Blair Todd, Newlyn Art Gallery & The Exchange, Penzance, Cornwall

Il Ritmo dello Spazio, Museo della Grafica, Pisa
IMAGE (of) SILENCE, curated by Adam Budak, National Gallery, Prague, Czech Republic
Kuna nese nanuk: The Art of Reading Art, 8smička, Humpolec, Czech Republic

P2P, Barbara Seiler & Annex 14, Zurich
Transcript, curated by Zavier Ellis, Charlie Smith, London
Sanguine: Luc Tuymans on Baroque, curated by Luc Tuymans, Fondazione Prada, Milan
Act I: One Thing Plus Another Thing or One Thing Minus Another Thing. That’s How Stories Begin, curated by Chris Bestebreurtje, Petra Kuipers and Sam Steverlynck, Tlön Projects, The Hague
Nothing Will Be as Before, Tanya Leighton, Berlin

Life & Opinions, Tanya Leighton, Berlin
Public View, curated by Bryan Biggs, Bluecoat, Liverpool
Condo, Tanya Leighton and the Modern Institute at Harald Street, London

Toda Percepción es una Interpretación: You Are a Part of It, curated by Eugenio Valdes Figueroa and Katrin Steffen, OIFO Art Space, Miami
The Last Word in Art?, The Wilson, Cheltenham, United Kingdom
Palimpsest, curated by Jeroen Staes and Wouter De Vleeschouwer, Convent, Ghent
Reading as Art, curated by Simon Morris, Bury Art Museum, Bury, United Kingdom
Confusion of Tongues: Art and the Limits of Language, Courtauld Institute of Art, London
Quand la neige fondra, ira où le blanc, curated by Eric Mezil and Lorenzo Paini, Palazzo Fortuny, Venice
130% Sprengel, curated by Isabel Szhulz, Sprengel Museum, Hanover
Generosity: On the Art of Giving, curated by Adam Budak, The National Gallery, Prague
Nothing Happens, Twice, curated by Clarissa Corfe, Harris Museum and Art Gallery, Preston, United Kingdom

Last Year at Marienbad: A film as Art, curated by Christopher Grunenberg, Kunsthalle Bremen; Rudolfinum Gallery, Prague
The Problem of God, curated by Isabelle Malz, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
In An Absolut World True Taste Comes Naturally, Camberwell Space, London
Time Out: On Lazing About and Doing Nothing, curated by Dörthe Wilke, Sprengel Museum, Hanover
Modern History, Vol. 1, curated by Lynda Morris, Grundy Art Gallery, Blackpool

Threshold, curated by Carla Arocha and Stéphane Schraenen, Cultuurcentrum, Mechelen, Belgium
The Allegory of a Cave Painting, curated by Mihnea Mircan, Extra City and Middleheim Museum, Antwerp
On the Devolution of Culture, Rob Tufnell Gallery, London
A Thousand Doors, curated by Iwona Blazwick, Neon / Whitechapel Gallery at the Gennadius Library, Athens
Micromegas > Powers of 10:58°57'53'' N – 3°17'45'' W, curated by Tracy Mackenna and Edwin Janssen, The Pier Arts Centre, Stromness, Orkney, Scotland
Speaking in Tongues: Sonia Boyce, Pavel Büchler, Susan Hiller, curated by Francis McKee, Centre for Contemporary Arts Glasgow

Drawing Time, Reading Time, curated by Claire Gilman, The Drawing Center, New York
Marking Language, curated by Kate Macfarlane and Mary Doyle, Drawing Room, London
Innsbruck International, curated by Tereza Kotyk, Kreusgang Servitenkloster, Innsbruck
Conceptual Geographies: Frames and Documents: Selections from the Ella
Fontanals-Cisneros Collection, curated by Donald Johnson-Montenegro, The Wallach Art Gallery, Columbia University, New York

Cosmo’s Levels, curated by Jamie Lobb, The Sunday Painter, London
Red, White and Blue: Pop, Punk, Politics, Place, curated by Daniel Sturgis, Chelsea Space, London
Postscript: Writing After Conceptual Art, curated by Andrea Anderson, MCA Denver; Power Plant, Toronto (2013); Eli and Edythe Broad Art Museum, Michigan (2014)
Drop Me a Line, curated by Clive Phillpot, Laure Genillard Gallery, London
Dot.Systems, curated by Reinhard Spieler and Barbara Scheuermann, Wilhelm Hack Museum, Ludwigshafen, Germany
In the Light of the Overhead, curated by Alastair Levy, Post Box Gallery, London
Homo Economicus, curated by David Bussel, Cabinet, London
Level, Talbot Rice Gallery, Edinburgh

Les Marques Aveugles, curated by Katya García-Antón and Emilie Bujès,Centre D’Art Contemporain, Geneva
A Text is a Thing, curated by Vincenzo de Bellis and Alessandro
Rabottini, Galleria Vistamare, Pescara, Italy
The Intellectual Work: Enzo Mari, with Pavel Büchler, Jason Dodge, Tim Rollins and K.O.S, curated by Barbara Casavecchia, Tanya Leighton, Berlin
Frames and Documents: Conceptualist Practices, Selections from the Ella Fontanals-Cisneros Collection, curated by Philippe Pirotte and Jesus Fuenmayor, Cisneros Fontanals Art Foundation, Miami
The Confidence Man, curated by Gianni Jetzer, Tanya Leighton, Berlin
Made Festival, curated by Tina Eriksson Fredriksson, NorrlandOperan, Umeå
End Note, curated by Robert O. Fitzpatrick, Tanya Leighton, Berlin
Art Boom Festival, curated by Philippe Pirotte, Krakow
Convergence: Literary Art Exhibitions, curated by Christa Maria LermHayes, Golden Thread Gallery, Belfast; Limerick City Art Gallery,
Limerick
Inéditos 2011: Deputés del Silencio, curated by Pedro Portellano, La Casa Encendida, Madrid
Dark Matters, curated by Helen Stalker, The Whitworth Art Gallery, Manchester
From Trash to Treasure, curated by Anette Hüsch, Kunsthalle zu Kiel, Kiel
Words such as Painting and Sculpture, annex14, Bern
We Are Grammar, curated by Dave Beech and Paul O’Neill, Pratt Manhattan Gallery, New York
Sentences, curated by Tony Trehy, Bury Art Gallery, Bury
Image Projected Until it Vanishes, curated by Mihnea Mircan, Museion, Bolzano
My Communism: Poster Exhibition, curated by Yang Zhenzhong, Philippe Pirotte et al, TOP Contemporary Art Centre, Shanghai

As So Ci Ations, curated by Tanya Leighton, Kettle’s Yard, Cambridge
A Vision of Central Europe; The Reality of the Lowest Rank, curated by Luc Tuymans, Bruges City Festival, Bruges
Under Destruction, curated by Gianni Jetzer and Chris Sharp, Tinguely Museum, Basel; Swiss Institute, New York (2011)
Landscapes (confini in disordine), curated by Lorenzo Bruni, Magazzino d’Arte Moderna, Rome
An Unpardonable Sin, curated by Philippe Pirotte, Castillo/Corrales, Paris
No New Thing Under the Sun, curated by Peter Harrap and Gabriel
Coxhead, Royal Academy of Arts, London
History of Art, The, curated by Mihnea Mircan, David Roberts Foundation, London
Modern Dialect, curated by Wim van den Abbeele, MuHKA, Antwerp
FischGrätenMelkStand, curated by John Bock, Temporäre Kunsthalle, Berlin
Distance and Sensibility, curated by David Thorp, Calvert 22, London
The Art of Design, curated by Tereza Kotyk, Freiraum, Museumsquartier, Vienna
The Way We Do Art Now, curated by Pavel Büchler, Tanya Leighton, Berlin

Unresolved, curated by Pavel Büchler, Castlefield Gallery, Manchester
The Northern Art Prize 2009, Leeds Art Gallery, Leeds
Inéditos 2009: La vuelta de la esquina, curated by Direlia Lazo, Casa Encendida, Madrid
The Human Stain, curated by Ellen Blumenstein, Centro Galego de Arte Contemporánea, Santiago de Compostela
Afterwards, curated by Sharon Kivland, Mead Gallery, Coventry

Frieze Projects 2008, curated by Neville Wakefield, Frieze Art Fair, London
What Comes Naturally, Contemporary Flowers, curated by Glynnis McDaris, Fake Estate, New York
Re-Reading the Future, International Triennale of Contemporary Art 2008, curated by Henry Meyric Hughes, The National Gallery, Prague
Book-ish, curated by Matt Packer, Lewis Glucksman Gallery, Cork
Involved, curated by Philippe Pirotte, ShangArt Gallery, Shanghai
Always Begins by Degrees, curated by Katrina Brown, The Common Guild, Glasgow

Invisible, Max Wigram Gallery, London
Doubleuse, curated by Katie McKee, The Nunnery, London

The Signing, curated by Amikam Toren, Keith Talent Gallery, London
The Grand Promenade, curated by Anna Kafetsi, National Museum of Contemporary Art, Athens
Writing in Strobe, curated by Andrew Hunt, Dicksmith Gallery, London
Colour + Perception, curated by Bryony Bond, Sherbourne House, Dorset

9th Istanbul Biennial, curated by Charles Esche and Vasif Kortun, Istanbul
Alchemy, curated by Bryony Bond, The Manchester Museum, Manchester
Off-Key, curated by Philippe Pirotte, Kunsthalle Bern, Bern
Social Club, The Grundy Art Gallery, Blackpool
Whatever Happened to Social Democracy?, curated by Pavel Büchler and Charles Esche, Rooseum, Malmo

Strangers to Ourselves 04, curated by Judith Stewart, 201 St. John Street, London
Friday 13th, galleri s.e, Bergen
Tonight, curated by Paul O'Neill, Studio Voltaire, London

artranspennine 03, curated by Nick Crowe and Ian Rawlinson, Manchester
Seesaw, curated by Brass Art, The Gramophon, Hanover
To the Letter, curated by Frantiska and Tim Gillman-Sevcik, CCNY, New York
Strangers to Ourselves, curated by Judith Stewart, Metropole Galleries, Folkestone
Incommunicado, curated by Margot Heller, Sainsbury Centre, Norwich; Edinburgh Art Centre; Cornerhouse, Manchester (2004)

Private Views, curated by Paul O'Neill, London Print Studio Gallery, London

Gorilla Tactics, Jump Ship Rat, Liverpool
Record Collection, The International 3, Manchester; Espace d'art Contemporain, Geneva
Manchester Pavilion, with Nick Crowe, Graham Parker and Martin Vincent, Venice, Italy (continued until 2007)

Snowballing, curated by Elisabeth Price, Arthur R Rose Gallery, London; The Henry Moore Institute, Leeds
Anxious Words, curated by Sharon Kivland, Waterstone's Piccadilly, London
Moon, curated by Kurt Johannessen, Bergen Kunstmuseum, Bergen
ManMoMA: A Thick Bloke Kicking a Dog to Death, The International 3, Manchester
TransAct curated by Cathrin Pichler and Hans-Ulrich Obrist, museum in progress, Vienna

Stunt, curated by Eli Okkenhaug, Hordaland Kunstersenter, Bergen
Liverpool Billboard Project, curated by Alan Dunn, Liverpool
Limit Less, curated by Mathew Higgs, Galerie Krinzinger, Vienna
Liverpool Biennale of Contemporary Art, curated by Anthony Bond, Liverpool

A to Z, curated by Mathew Higgs, The Approach, London
Receptor, curated by Julien Robson, Galerie Steinek, Vienna
Whispers, Lies and Text, curated by Mary Knights, CAST Gallery, Hobart
Disquieting Strangeness, curated by Sharon Kivland, Centre for Freudian Analysis and Research, London

Networking: Art by Post, Fax and Phone, curated by Andrew Patrizio, Spacex Gallery, Exeter
Between Tradition and Experiment, curated by Jiri Valoch, Museum of Art, Olomouc
Library Re-Locations, curated by Ian Hunt, Book Works, Chetham Library, Manchester
Tower of Babble, curated by Malcolm Dickson, Street Level Gallery, Glasgow; Norwich Gallery, Norwich (1998)

Art When Time Stood Still: The Czech Art Scene 1969-1985, curated by Olaf Hanel, Czech Museum of Fine Art, Prague
New Zlín Salon I, curated by Ludvík Ševeček, State Gallery, Zlín

Freedom, curated by Angela Kingston, Kelvingrove Museum and Art Gallery, Glasgow; Ormeau Baths, Belfast; Southampton City ASrt Gallery, Southampton (1996)

East, selected by Rudi Fuchs and Jan Dibbets, Norwich Gallery, Norwich

Work & Turn, curated by David Blamey, National Gallery of Iceland, Reykjavik
Influential Europeans, curated by Mary Schoeser, Crafts Council, London
Czechoslovak Photography in Exile, curated by Anna Fárová, Mánes, Prague

Excavating the Present, curated by Charles Esche, Kettle’s Yard, Cambridge; Cleveland Gallery, Middlesborough
Action Art, curated by Vlasta Čiháková-Noshiro, Mánes, Prague; Povážská gallerie, Žilina
The Bellgrove Station Billboard Project, curated by Alan Dunn, Glasgow

Homage to the Square II, Flaxman Gallery, London

Metamorphoses of the Image: Recent Photographic Strategies in Britain, curated by John Stathatos, Helenic Centre for Photography, Athens
Searchlight, curated by Angela Kingston, Ikon Gallery, Birmingham

Homage to the Square, Flaxman Gallery, London
Death, selected by Dawn Ades, John Goto and Stuart Morgan, Kettle's Yard, Cambridge
The Wall, curated by Paul Wombell, Impressions Gallery, York

Monumental Works, curated by Sharon Kivland and Ian Walker, St Georges of Bloomsbury, London

Food as Politics, curated by Sharon Kivland, Camerawork, London

Sky Show, curated by Pavel Büchler, Cambridge Darkroom, Cambridge

Artists in Focus, Morley Gallery, London
Black and White and Red All Over, curated by Diana Augaitis, Franklin Furnace, New York