Math Bass ‘clown alley’ 22 January – 5 March 2022 Kurfürstenstraße 24/25, Berlin
Antonio Ballester Moreno ‘ANOTHER DAY’ 1 February – 12 March 2022 4654 W Washington Blvd, LA
Felix Los Angeles 17 – 20 February 2022 Hollywood Roosevelt Hotel, LA
Hiroka Yamashita 12 March – 23 April 2022 Kurfürstenstraße 24/25, Berlin
A picture stuck in the mirror
Henry Art Gallery, University of Washington, Seattle
16 October 2021 – 6 March 2022
Moravian Gallery, Brno
Kunstverein für die Rheinlande und Westfalen, Düsseldorf
12 February – 24 April 2022
Fondazione Sandretto Re Rebaudengo, Turin
5 November 2021 – 30 January 2022
Yesterday we said tomorrow
Prospect 5 Triennial, New Orleans
23 October 2021 – 23 January 2022
The Beauty of Early Life
ZKM Center for Art and Media, Karlsruhe
26 March – 10 July 2022
Tanya Leighton, Berlin
30 April – 25 June 2022
John Smith, solo exhibition
Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany
A Manual for Retaining Light in Dark Ages
Museum Abteiberg, Mönchengladbach
20 March – 25 September 2022
Tanya Leighton, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Vanessa Boni
Associate Director: Simon Gowing
Associate Director, Los Angeles: Andrew McNeely
Associate Director, Berlin: Melanie Isabel García
Registrar and Exhibition Manager: Adina Laub
Gallery Manager: Clelia Colantonio
Finance Manager: Andrea Núñez
Tanya Leighton Berlin
Kurfürstenstraße 156 & 24/25
Berlin 10785 DE
Tanya Leighton Los Angeles
4654 W Washington Blvd
LA 90016 CA
Open Tuesday – Saturday
11am–6pm and by appointment
Open Wednesday – Saturday
11am–6pm and by appointment
The first comprehensive publication to capture Hayes's unique blend of performance and social engagement which has been at the forefront of questions of feminist history, queer time, and protest culture for over a decade.
American artist Sharon Hayes uses photography, film, video, sound, performance, and text to interrogate the intersections between the personal and collective sphere. Her deeply affective and queer approach to history and politics draws particular attention to the language of twentieth-century activism as well as drama, anthropology, and journalism.
This book is the first to feature all of Hayes's most significant projects, from the ten-hour performance My Fellow American 1981-1988 to her Monument Lab addressing the absence of monuments to women in Philadelphia.
A professor of fine art at the University of Pennsylvania, Hayes's work has been shown at the 2010 Whitney Biennial, Documenta 12 in Kassel, and the 55th Venice Biennale, as well as in the most prestigious museums around the world. Her re-examination of protest, speech, and history is one of the most powerful reflections of the complexity and the urgency of our times.
Julia Bryan-Wilson is a Professor of Modern and Contemporary Art at the University of California, Berkeley. Jeannine Tang is an art historian and critic who regularly contributes to Artforum, Theory, Culture & Society, and Afterimage. Lanka Tattersall is assistant curator at the Museum of Contemporary Art, Los Angeles.
Sharon Hayes is the latest addition to the acclaimed Phaidon Contemporary Artists Series.