Matthew Krishanu ‘Arrow and Pulpit’ 6 November – 17 December 2021 Kurfürstenstraße 24/25, Berlin
A picture stuck in the mirror
Henry Art Gallery, University of Washington, Seattle
16 October 2021 – 6 March 2022
Moravian Gallery, Brno
Teatro San Martín, Buenos Aires
University of Kentucky Art Museum, Lexington, Kentucky
10 August – 11 December 2021
Yesterday we said tomorrow
Prospect 5 Triennial, New Orleans
23 October 2021 – 23 January 2022
Pictured as a Poem
KAI10 Arthena Foundation, Düsseldorf
17 October 2021 – 23 January 2022
One Escape at a Time
11th Seoul Mediacity Biennale, Seoul
8 September – 21 November 2021
Appui, tendu, renversé
CRAC Occitanie in Sète, France
9 October 2021 – 6 February 2022
John Smith, solo exhibition
Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany
A Manual for Retaining Light in Dark Ages
Museum Abteiberg, Mönchengladbach
20 March – 25 September 2022
Tanya Leighton, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Vanessa Boni
Associate Director: Simon Gowing
Gallery Manager: Melanie Isabel García
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Gallery Assistant: Roberta Cotterli
Tanya Leighton Berlin
Kurfürstenstraße 156 & 24/25
Berlin 10785 DE
Tanya Leighton Los Angeles
4654 W Washington Blvd
LA 90016 CA
Open Tuesday – Saturday
11am – 6pm and by appointment
25 August – 25 November 2012, Museum of Contemporary Art, Chicago
'Jimmy Robert Vis-à-vis' is the first major solo museum exhibition in the United States of work by Brussels-based artist Jimmy Robert. Born in Guadeloupe, an overseas region of France, Robert was raised and educated in Europe in the 1980s and 1990s—an era in which questions of citizenship and representation were hotly contested. Rather than creating conspicuously political artworks, Robert takes his cues from cultural figures of the recent past—avant-garde writers, filmmakers, visual artists—who were not only pioneers in their respective art forms but also deft at subtly registering the traumas and effects of their social conditions. Robert’s concern for the body—both personal and political—in addition to his interest in the poetic potential of ephemeral materials unites much of his work, which ranges in media from photography, film, and video to sculpture and collaborative performance.
Robert typically uses photographic portraitureas a starting point for his works on paper, gently breaking down divisions between two and three dimensions, image and object. In some cases Robert uses found photographs that he tears, collages, tapes, and crumples before digitally scanning them and pinning them to the wall. In other cases, Robert takes new photographs in his studio and crams them into wooden boxes or arranges them on the gallery floor. Extending into the space of the gallery, these works create a relationship to the viewer’s body while underscoring a sense of impermanence. Likewise, Robert’s sculptures are either made from wood-based materials or give the illusion of paper forms and often play with notions of value and durability.
Robert’s films and videos convey a sense of the ordinary in their scale, subject, and material. Broadly inspired by the French New Wave, the artist is also deeply influenced by feminist filmmakers such as Marguerite Duras and Chantal Akerman. Of a similarly intimate register, Robert’s dance and performance works value gesture and chance over elaborate choreography, referring to Fluxus and the Judson Dance Theater.
To create one of the works in this exhibition, Robert performs with performer, choreographer Maria Hassabi live in the galleries.
The exhibition is organized by Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago.