Sara Issakharian
‘The moon stamps her image’
4654 W Washington Blvd, LA
22 November – 16 December 2023

Alejandro Cesarco
‘Conditionals’
Kurfürstenstraße 24/25, Berlin
4 November – 16 December 2023

Tanya Leighton

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2023
2022
2021 …

Between the Pages

Altered Future

Viewing Rooms

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Tanya Leighton, Berlin

Archive

Art Basel Miami Beach
8–10 December 2023

Archive

Antonio Ballester Moreno

Exotermia. Semiótica de la ubicación de la colección MUSAC
Museo de Arte Contemporáneo de Castilla y León, Spain

17 June 2023 – 7 January 2024

Math Bass

Publication: World of Art: Contemporary Painting
Suzanne Hudson, published by Thames & Hudson

Pavel Büchler

Signs of Life
Moravian Gallery, Brno

21 September 2023 – 31 March 2024

Alejandro Cesarco

Conditionals
Tanya Leighton, Berlin

4 November – 16 December 2023

Other Recent Examples
Lumiar Cité, Lisbon

14 October 2023 – 14 January 2024

I see no difference between a handshake and a poem
Mendes Wood DM, Paris

14 October – 14 December 2023

David Diao

Publication: David Diao: Painting and Document
Stéphane Mroczkowski and Alexandra Pignol, published by mare et martin

Aleksandra Domanović

Aleksandra Domanović
‘Dream Time’
UCCA Center for Contemporary Art, Beijing

27 January – 28 April 2024

Elmgreen & Dragset: READ
Kunsthalle Praha, Prague

16 November 2023 – 22 April 2024

A leap into the Void
GAMeC – Galleria d’Arte Moderna e Contemporanea, Bergamo

2 February – 28 May 2023

Sharon Hayes

Come Out, Come Out
Art on the Underground, Transport for London
April 2023 – ongoing

Sky Hopinka

The land describes itself
Pulitzer Arts Foundation, St. Louis, Missouri

8 March – 4 August 2024

Dream Time
UCCA Center for Contemporary Art, Beijing

27 January – 28 April 2024

Solo exhibition
San Francisco Museum of Modern Art, California
Early 2024

Award: 2023 Baloise Art Prize

Sara Issakharian

Overflow, Afterglow: New Work in Chromatic Figuration
The Jewish Museum, New York

17 May – 15 September 2024

The moon stamps her image
Tanya Leighton, Los Angeles
Fall 2023

Esteban Jefferson

May 25th, 2020
Goldsmiths Centre for Contemporary Art, London

7 October 2023 – 14 January 2024

Matthew Krishanu

Solo exhibition
Tanya Leighton, Los Angeles
Autumn 2024

The Bough Breaks
Camden Art Centre, London

26 April – 23 June 2024

Beyond the Page: South Asian Miniature Painting and Britain, 1600 to Now
MK Gallery, Milton Keynes, United Kingdom

7 October 2023 – 28 January 2024

Life Is More Important Than Art
Whitechapel Gallery, London

14 June – 17 September 2023

Oliver Laric

Mémoire vive
Musée de la Romanité, Nîmes

21 April – 31 December 2023

Nicole Ondre

Solo exhibition
Tanya Leighton, Berlin
Spring 2024

Oliver Osborne

Solo exhibition (curated by Alberto Salvadori)
Fondazione ICA Milano
2025

Tanya Leighton, Berlin

6 July – 17 August 2024

Dan Rees

Publication: World of Art: Contemporary Painting
Suzanne Hudson, published by Thames & Hudson

Jimmy Robert

Publication: The Man Who Envied Women
Kirsty Bell, Elisabeth Lebovici, Bart van der Heide, Nana Adusei-Poku et al., published by Bierke
January 2024

Asymmetrical Grammar
Moderna Museet, Malmö
1 April–3 September 2023

Elif Saydam

Solo exhibition
Kunsthal Thy, Denmark
2025

Solo exhibition
Audain Gallery, Simon Fraser University, Vancouver

17 October – 14 December 2024

Die Wissen
nGbk, Berlin

16 December 2023 – 18 February 2024

Eviction Notice
Oakville Galleries, Gairloch Gardens, Toronto

1 October 2023 – 6 January 2024

John Smith

Small World
13th Taipei Biennial, Taipei City

18 November 2023 – 24 March 2024

Atlas of Modernity. Exercises
Muzeum Sztuki, Łódź
1 October 2021 – Ongoing

Studio for Propositional Cinema

Publication: Myths and Manifestos
Published by Kunstverein München and Verlag der Buchhandlung Walther und Franz König

Marianne Wex

The Lives of Documents—Photography as Project
Canadian Centre for Architecture, Montréal

3 May 2023 – 3 March 2024

Publication: Masculinities: Liberation through Photography
Edited by Alona Pardo, published by Prestel Publications

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Alejandro Cesarco

TRIANGULATION

30 April – 25 June 2022, Tanya Leighton Los Angeles
4654 W Washington Blvd

Alejandro Cesarco

TRIANGULATION

30 April – 25 June 2022, Tanya Leighton Los Angeles
4654 W Washington Blvd

Alejandro Cesarco, The Long Term
(A Measure of Intimacy II), 2020

Archival inkjet print, 127×48.9 cm, 50×19¼ in, Edition of 5 + 2 AP

Alejandro Cesarco, Errata, 2021

Archival ink-jet print, 40×57 cm, 15¾×22½ in, Edition 5 + 2 AP

Press release

Alejandro Cesarco

TRIANGULATION

30 April – 25 June 2022, Tanya Leighton Los Angeles
4654 W Washington Blvd

Preview: Saturday 30 April, 6–8pm

Tanya Leighton is pleased to announce ‘TRIANGULATION’ by Alejandro Cesarco, comprising a selection of works that the artist has configured into a single installation. In the space, three works – The Long Term (A Measure of Intimacy I), Long Casting (A Page on Regret), and Errata – are situated in a triangular relation that offsets a fourth, An Angry Silence. As a configuration, installation builds on the narrative potentials of triangulating objects as a mode of address. The exhibition’s title invokes triangulation to suggest an interest in deemphasizing a one-to-one correspondence between the viewer and each piece for the sake of intimating something that is more than the sum of its parts.

In science, triangulation is a technique used to amplify the validity of arguments by replicating the experiments by different means. In geometry, it is the process of determining an unknown location by forming triangles from known points. In psychology, it refers to a form of manipulation by means of indirect communication, using misdirection to coerce people. In the context of this exhibition, however, the term triangulation is primarily used to designate the geometrical figure formed by the perception two beings have of each other – be it two lovers or who we are and who we imagine to be – and the inevitable gaps that take place when perceiving the other. In this sense, triangulation calls into play various tactics of keeping the space of desire open or deferred and therefore active, most notably through discourse.

The relationship between desire and deferment is very old, as Canadian scholar and poet Ann Carson observes in her influential book, ‘Eros the Bittersweet’. In it, she studies one of the earliest descriptions of love as something at once “bitter” and “sweet”, found in Fragment 40 of Sappho’s surviving poetry. What follows is Carson’s translation.

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Alejandro Cesarco, An Angry Silence, 2021

Paint on wall, Dimensions variable, Unique

Alejandro Cesarco

TRIANGULATION

30 April – 25 June 2022, Tanya Leighton Los Angeles
4654 W Washington Blvd

Alejandro Cesarco, Long Casting (A Page on Regret), 2019

Framed archival inkjet print, 84×57 cm, 33¼×22½ in, Edition of 5 + 2 AP

Alejandro Cesarco

TRIANGULATION

30 April – 25 June 2022, Tanya Leighton Los Angeles
4654 W Washington Blvd

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