Adrianne Rubenstein, ‘Blue’
30 May – 1 July 2023
4654 W Washington Blvd, LA

Jonas Lipps, ‘Zeit der Nuraghen, Teil Zwei’
29 April – 1 July 2023
Kurfürstenstraße 24/25, Berlin

Tanya Leighton

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2023
2022
2021 …

Between the Pages

Altered Future

Viewing Rooms

Viewing Room

Tanya Leighton, Berlin

Archive

Art Basel
Messeplatz, Basel
15–18 June 2023

Archive

Sam Anderson

Breathing Water, Drinking Air
Sammlung Philara, Düsseldorf

12 August 2022 – 25 June 2023

Math Bass

Next Door
Yuz Museum, Shanghai

27 April – 7 October 2023

Publication: World of Art: Contemporary Painting
Suzanne Hudson, published by Thames & Hudson

Pavel Büchler

Signs of Life
Moravian Gallery, Brno

21 September 2023 – 31 March 2024

Alejandro Cesarco

Solo exhibition
Tanya Leighton, Berlin

4 November – 16 December 2023

I see no difference between a handshake and a poem
Mendes Wood DM, Paris
October – December 2023

Chosen Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond
Museum of Modern Art, New York

30 April – 9 September 2023

Other Recent Examples
ARTIUM, Vitoria-Gasteiz

24 March – 25 September 2023

Turn of Phrase: Language and Translation in Contemporary Art
Bowdoin College Museum of Art, Brunswick

8 December 2022 – 4 June 2023

David Diao

Publication: ‘David Diao: Painting and Document’
Stéphane Mroczkowski and Alexandra Pignol, published by mare et martin

Aleksandra Domanović

Don’t Dream Dreams
MG+MSUM, Ljubljana

23 May – 30 July 2023

A leap into the Void
GAMeC – Galleria d’Arte Moderna e Contemporanea, Bergamo

2 February – 28 May 2023

Spatial Affairs
Ludwig Museum, Budapest

29 April 2021 – 31 August 2023

Gerasimos Floratos

Next Door
Yuz Museum, Shanghai

27 April – 7 October 2023

Kate Mosher Hall

The Reminder
Audain Gallery, Simon Fraser University, Vancouver

9 June – 19 August 2023

Sharon Hayes

(Wahl-) Familie, Die, Wir, Sind
Kunstmuseum Ravensburg

14 July – 5 November 2023

Come Out, Come Out
Art on the Underground, Transport for London
April 2023 – ongoing

Sky Hopinka

Sky Hopinka: Seeing and Seen
San José Museum of Art, California

4 November 2022 – 9 July 2023

Award: 2022 MacArthur Fellowship
John D. and Catherine T. MacArthur Foundation

Sara Issakharian

The Jewish Museum, New York

17 May – 15 September 2024

Solo exhibition
Tanya Leighton, Los Angeles (off-site)
Fall 2023

Coming Across: Expression and Empowerment
Analog Diary, Beacon, New York

20 May – 23 July 2023

Esteban Jefferson

Solo exhibition
Goldsmiths Centre for Contemporary Art, London
October 2023

Matthew Krishanu

Solo exhibition
Tanya Leighton, Los Angeles

14 November – 16 December 2023

Arcadia for All? Rethinking Landscape Painting Now
The Stanley & Audrey Burton Gallery, University of Leeds

26 April – 29 July 2023

Oliver Laric

Digital Dada
Kunstverein Wolfsburg Germany

26 August – 5 November 2023

Prélude
Super Dakota, Brussels

25 May – 15 July 2023

Mémoire vive
Musée de la Romanité, Nîmes

21 April – 31 December 2023

Antéfutur
CAPC Musée d’art Contemporain de Bordeaux

7 April – 3 September 2023

Is this real? Art in the Age of Game Engine Culture
FMAV Fondazione Modena Arti Visive, Modena

23 March – 20 August 2023

Jonas Lipps

Zeit der Nuraghen, Teil Zwei
Tanya Leighton, Berlin

29 April – 1 July 2023

Dan Rees

Publication: World of Art: Contemporary Painting
Suzanne Hudson, published by Thames & Hudson

Jimmy Robert

Asymmetrical Grammar
Moderna Museet, Malmö
1 April–3 September 2023

Adrianne Rubenstein

Blue
Tanya Leighton, Los Angeles

30 May – 1 July 2023

Elif Saydam

Solo exhibition
Audain Gallery, Simon Fraser University, Vancouver

17 October – 14 December 2024

Doch alle eine Insel?
GAK Gesellschaft für Aktuelle Kunst, Bremen

27 May – 27 June 2023

Solo exhibition
Tanya Leighton, Berlin

4 November – 16 December 2023

Eviction Notice
Oakville Galleries, Gairloch Gardens, Toronto

1 October – 30 December 2023

Publication: ‘Elif Saydam: TWO CENTS’
Edited by Annette Hans and Elif Saydam, published by Mousse

John Smith

Atlas of Modernity. Exercises
Muzeum Sztuki, Łódź
1 October 2021 – Ongoing

Studio for Propositional Cinema

Publication: Myths and Manifestos
Published by Kunstverein München and Verlag der Buchhandlung Walther und Franz König

Marianne Wex

A Spectrum of seeing/Perfect Documents,
Canadian Centre for Architecture, Montréal

23 March – 17 September 2023

Publication: ‘Masculinities: Liberation through Photography’
Edited by Alona Pardo, published by Prestel Publications

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Alejandro Cesarco

TRIANGULATION

30 April – 25 June 2022, Tanya Leighton Los Angeles
4654 W Washington Blvd

Alejandro Cesarco

TRIANGULATION

30 April – 25 June 2022, Tanya Leighton Los Angeles
4654 W Washington Blvd

Alejandro Cesarco, The Long Term
(A Measure of Intimacy II), 2020

Archival inkjet print, 127×48.9 cm, 50×19¼ in, Edition of 5 + 2 AP

Alejandro Cesarco, Errata, 2021

Archival ink-jet print, 40×57 cm, 15¾×22½ in, Edition 5 + 2 AP

Press release

Alejandro Cesarco

TRIANGULATION

30 April – 25 June 2022, Tanya Leighton Los Angeles
4654 W Washington Blvd

Preview: Saturday 30 April, 6–8pm

Tanya Leighton is pleased to announce ‘TRIANGULATION’ by Alejandro Cesarco, comprising a selection of works that the artist has configured into a single installation. In the space, three works – The Long Term (A Measure of Intimacy I), Long Casting (A Page on Regret), and Errata – are situated in a triangular relation that offsets a fourth, An Angry Silence. As a configuration, installation builds on the narrative potentials of triangulating objects as a mode of address. The exhibition’s title invokes triangulation to suggest an interest in deemphasizing a one-to-one correspondence between the viewer and each piece for the sake of intimating something that is more than the sum of its parts.

In science, triangulation is a technique used to amplify the validity of arguments by replicating the experiments by different means. In geometry, it is the process of determining an unknown location by forming triangles from known points. In psychology, it refers to a form of manipulation by means of indirect communication, using misdirection to coerce people. In the context of this exhibition, however, the term triangulation is primarily used to designate the geometrical figure formed by the perception two beings have of each other – be it two lovers or who we are and who we imagine to be – and the inevitable gaps that take place when perceiving the other. In this sense, triangulation calls into play various tactics of keeping the space of desire open or deferred and therefore active, most notably through discourse.

The relationship between desire and deferment is very old, as Canadian scholar and poet Ann Carson observes in her influential book, ‘Eros the Bittersweet’. In it, she studies one of the earliest descriptions of love as something at once “bitter” and “sweet”, found in Fragment 40 of Sappho’s surviving poetry. What follows is Carson’s translation.

Download press release

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Alejandro Cesarco, An Angry Silence, 2021

Paint on wall, Dimensions variable, Unique

Alejandro Cesarco

TRIANGULATION

30 April – 25 June 2022, Tanya Leighton Los Angeles
4654 W Washington Blvd

Alejandro Cesarco, Long Casting (A Page on Regret), 2019

Framed archival inkjet print, 84×57 cm, 33¼×22½ in, Edition of 5 + 2 AP

Alejandro Cesarco

TRIANGULATION

30 April – 25 June 2022, Tanya Leighton Los Angeles
4654 W Washington Blvd

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