Math Bass ‘clown alley’ 21 January – 5 March 2022 Kurfürstenstraße 24/25, Berlin
Hiroka Yamashita 12 March – 23 April 2022 Kurfürstenstraße 24/25 Berlin
A picture stuck in the mirror
Henry Art Gallery, University of Washington, Seattle
16 October 2021 – 6 March 2022
Moravian Gallery, Brno
Todo en negro, los ojos cerrados por el exceso del desastre
Teatro San Martín, Buenos Aires
9 November 2021 – 27 February 2022
University of Kentucky Art Museum, Lexington, Kentucky
10 August – 11 December 2021
Garage Exchange: Aleksandra Domanović and Jen Liu
The MAK Center: Mackey Garage Top Gallery, Los Angeles
21 October 2021 – 9 January 2022
Fondazione Sandretto Re Rebaudengo, Turin
5 November 2021 – 30 January 2022
Yesterday we said tomorrow
Prospect 5 Triennial, New Orleans
23 October 2021 – 23 January 2022
Arrow and Pulpit
Tanya Leighton, Berlin
6 November – 18 December 2021
Appui, tendu, renversé
CRAC Occitanie in Sète, France
9 October 2021 – 6 February 2022
Tanya Leighton, Berlin
John Smith, solo exhibition
Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany
A Manual for Retaining Light in Dark Ages
Museum Abteiberg, Mönchengladbach
20 March – 25 September 2022
Tanya Leighton, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Vanessa Boni
Associate Director: Simon Gowing
Gallery Manager: Melanie Isabel García
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Gallery Assistant: Roberta Cotterli
Tanya Leighton Berlin
Kurfürstenstraße 156 & 24/25
Berlin 10785 DE
Tanya Leighton Los Angeles
4654 W Washington Blvd
LA 90016 CA
Open Tuesday – Saturday
11am – 6pm and by appointment
9 August – 6 September 2014, Tanya Leighton, Berlin
FOR PUBLIC DISSEMINATION:
WE HAVE OVERTAKEN OBSERVATION AND REFORMULATED IT AS A RADICAL ACT.
OBJECTS, ANIMALS, HUMANS, ARCHITECTURAL STRUCTURES, ALL BEAR WITNESS TO EVENTS FROM THE PAST AND TO THE PASSING OF TIME. TIME TOO OBSERVES US AND DELIGHTS IN WATCHING OUR FAILURE. WE SEEK TO EMBODY TIME AND OBSERVE FROM THE OUTSIDE IN.
OUR CINEMA IS ATROPHIED AND BUILT UPON THE RUINS. WE DO NOT WANT TO REBUILD, WE WANT TO OCCUPY THE RUBBLE (AS DOGS SEARCH FOR SCRAPS).
HYPOTHETICAL GESTURES / CONSUMPTION OF INFORMATION / MANIPULATION OF MEANING.
TIME IS THE MATERIAL OF ALL DISCOURSE AND OUR DISCOURSE IS ATEMPORAL. WE SLIP THROUGH CULTURE LIKE OXYGEN, OR BIRD FLU.
MIRRORS OBSERVE AS THEY REFLECT, AS DID PUDDLES (BEFORE THEY ALL DRIED UP).