Matthew Krishanu ‘Arrow and Pulpit’ 6 November – 17 December 2021 Kurfürstenstraße 24/25, Berlin
A picture stuck in the mirror
Henry Art Gallery, University of Washington, Seattle
16 October 2021 – 6 March 2022
Moravian Gallery, Brno
Teatro San Martín, Buenos Aires
University of Kentucky Art Museum, Lexington, Kentucky
10 August – 11 December 2021
Yesterday we said tomorrow
Prospect 5 Triennial, New Orleans
23 October 2021 – 23 January 2022
Pictured as a Poem
KAI10 Arthena Foundation, Düsseldorf
17 October 2021 – 23 January 2022
One Escape at a Time
11th Seoul Mediacity Biennale, Seoul
8 September – 21 November 2021
Appui, tendu, renversé
CRAC Occitanie in Sète, France
9 October 2021 – 6 February 2022
John Smith, solo exhibition
Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany
A Manual for Retaining Light in Dark Ages
Museum Abteiberg, Mönchengladbach
20 March – 25 September 2022
Tanya Leighton, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Vanessa Boni
Associate Director: Simon Gowing
Gallery Manager: Melanie Isabel García
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Gallery Assistant: Roberta Cotterli
Tanya Leighton Berlin
Kurfürstenstraße 156 & 24/25
Berlin 10785 DE
Tanya Leighton Los Angeles
4654 W Washington Blvd
LA 90016 CA
Open Tuesday – Saturday
11am – 6pm and by appointment
12 December 2013 – 23 February 2014, Le Plateau, Paris
The Frac Ile-de-France / The Plateau presents the first solo exhibition in Paris of Alejandro Cesarco, a Uruguayan artist born in 1975, living and working in New York.
As part of an approach that seems to draw a form of self-portrait, Alejandro Cesarco is interested in the very translation of the feelings that one experiences in the face of the real and his works, be they videos, drawings , photographs or textual compositions, recurrently and reflexively address the problems of narration, memory and language.
In this context, the artist loudly claims his affinities, not hesitating to summon within the works some of his illustrious predecessors - from James Joyce to Roland Barthes, from Marguerite Duras to Jean-Luc Godard ... - who like him worked in this perspective.
The exhibition at Plateau is exemplary of a form of appropriation that is here pushed to the extreme: it integrates a series of works by Jack Pierson, Louise Lawler and Felix Gonzalez-Torres who occupy a primordial place in the score we play Alejandro Cesarco.
Secondary Revision: according to Freud, this is the moment when we manage to connect and give meaning to the multiple images that appear to us while dreaming. There is no doubt that this same principle of crystallization is activated here - a second reading, in short - in view of the many sources that impose themselves on the artist ...