Math Bass ‘clown alley’ 21 January – 5 March 2022 Kurfürstenstraße 24/25, Berlin
Hiroka Yamashita 12 March – 23 April 2022 Kurfürstenstraße 24/25 Berlin
A picture stuck in the mirror
Henry Art Gallery, University of Washington, Seattle
16 October 2021 – 6 March 2022
Moravian Gallery, Brno
Todo en negro, los ojos cerrados por el exceso del desastre
Teatro San Martín, Buenos Aires
9 November 2021 – 27 February 2022
University of Kentucky Art Museum, Lexington, Kentucky
10 August – 11 December 2021
Garage Exchange: Aleksandra Domanović and Jen Liu
The MAK Center: Mackey Garage Top Gallery, Los Angeles
21 October 2021 – 9 January 2022
Fondazione Sandretto Re Rebaudengo, Turin
5 November 2021 – 30 January 2022
Yesterday we said tomorrow
Prospect 5 Triennial, New Orleans
23 October 2021 – 23 January 2022
Arrow and Pulpit
Tanya Leighton, Berlin
6 November – 18 December 2021
Tanya Leighton, Berlin
John Smith, solo exhibition
Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany
A Manual for Retaining Light in Dark Ages
Museum Abteiberg, Mönchengladbach
20 March – 25 September 2022
Tanya Leighton, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Vanessa Boni
Associate Director: Simon Gowing
Gallery Manager: Melanie Isabel García
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Gallery Assistant: Roberta Cotterli
Tanya Leighton Berlin
Kurfürstenstraße 156 & 24/25
Berlin 10785 DE
Tanya Leighton Los Angeles
4654 W Washington Blvd
LA 90016 CA
Open Tuesday – Saturday
11am – 6pm and by appointment
Ben Schumacher and Carlos Reyes, Bradley Kronz, Dena Yago, Jason Matthew Lee, Keith Farquhar, Marlie Mul
Day Before This Place
6 August – 7 September 2013, Kurfürstenstraße 13/14
That morning, as the band of the treadmill moved at six miles per hour beneath her trainers, a news story flashed on the screen suspended from the low hanging drop-ceiling. “Chinese Woman Stuck Between Walls Mistaken For A Ghost, Rescued 7 Hours Later.”
That evening, outside of the opening, a pack was opened and presented to her.
Relaying the story: “She was walking home, trying to take a shortcut in some province in China. She was halfway down the alleyway when she couldn’t move any further. She couldn’t go forward or backwards. I’m not really sure how that happens, but it happened.”
Pause, and the passing of a cigarette from one hand to another.
“The tenants of the buildings on either side of her thought that her cries for help were the cries of a ghost transitioning into the afterlife.”
Thin smoke traveled upwards from the cigarette's resting place.
“The tenants called the cops, saying there was a ghost between their walls. The cops ignored them. God, she spent the night just pancaked in those walls.”
The smoke trail had thinned.
“It wasn’t until the next morning when this “passerby” also heard her calling for help, that the cops finally responded.”
Secondary drag of a shared cigarette.
“I don’t really get what make’s this passerby a passerby; it’s not like they just passed her by while they were also taking this alleyway shortcut. How do you pass by a woman that’s sandwiched in an alleyway.”
Smoke drawn inwards, and the cigarette placed gently on a sliver of metal, unextinguished.
“Doesn’t really make sense.”
The powdered grey ash fell, indistinguishably, into the dirty snow below.
“I’ve had that feeling in New York, where we have entrances with two doors and one buzzer. You press the buzzer, wait until you’re buzzed in, only to find that the interior door needed to be buzzed as well. You hadn’t moved quickly enough to push both doors simultaneously. And you’re stuck. You need to go back outside to buzz again, holding the exterior door open as you reach outside to buzz, and then move quickly enough to open both doors. Or you’re stuck and have to call your friend to buzz again, or come down to meet you at the interior door.”
The cigarette was extinguished leaving a dense charcoal ring on the metal sliver that went unnoticed.
New York City