Sara Issakharian
‘The moon stamps her image’
4654 W Washington Blvd, LA
22 November – 16 December 2023

Alejandro Cesarco
‘Conditionals’
Kurfürstenstraße 24/25, Berlin
4 November – 16 December 2023

Tanya Leighton

Show All
2023
2022
2021 …

Between the Pages

Altered Future

Viewing Rooms

Viewing Room

Tanya Leighton, Berlin

Archive

Art Basel Miami Beach
8–10 December 2023

Archive

Antonio Ballester Moreno

Exotermia. Semiótica de la ubicación de la colección MUSAC
Museo de Arte Contemporáneo de Castilla y León, Spain

17 June 2023 – 7 January 2024

Math Bass

Publication: World of Art: Contemporary Painting
Suzanne Hudson, published by Thames & Hudson

Pavel Büchler

Signs of Life
Moravian Gallery, Brno

21 September 2023 – 31 March 2024

Alejandro Cesarco

Conditionals
Tanya Leighton, Berlin

4 November – 16 December 2023

Other Recent Examples
Lumiar Cité, Lisbon

14 October 2023 – 14 January 2024

I see no difference between a handshake and a poem
Mendes Wood DM, Paris

14 October – 14 December 2023

David Diao

Publication: David Diao: Painting and Document
Stéphane Mroczkowski and Alexandra Pignol, published by mare et martin

Aleksandra Domanović

Aleksandra Domanović
‘Dream Time’
UCCA Center for Contemporary Art, Beijing

27 January – 28 April 2024

Elmgreen & Dragset: READ
Kunsthalle Praha, Prague

16 November 2023 – 22 April 2024

A leap into the Void
GAMeC – Galleria d’Arte Moderna e Contemporanea, Bergamo

2 February – 28 May 2023

Sharon Hayes

Come Out, Come Out
Art on the Underground, Transport for London
April 2023 – ongoing

Sky Hopinka

The land describes itself
Pulitzer Arts Foundation, St. Louis, Missouri

8 March – 4 August 2024

Dream Time
UCCA Center for Contemporary Art, Beijing

27 January – 28 April 2024

Solo exhibition
San Francisco Museum of Modern Art, California
Early 2024

Award: 2023 Baloise Art Prize

Sara Issakharian

Overflow, Afterglow: New Work in Chromatic Figuration
The Jewish Museum, New York

17 May – 15 September 2024

The moon stamps her image
Tanya Leighton, Los Angeles
Fall 2023

Esteban Jefferson

May 25th, 2020
Goldsmiths Centre for Contemporary Art, London

7 October 2023 – 14 January 2024

Matthew Krishanu

Solo exhibition
Tanya Leighton, Los Angeles
Autumn 2024

The Bough Breaks
Camden Art Centre, London

26 April – 23 June 2024

Beyond the Page: South Asian Miniature Painting and Britain, 1600 to Now
MK Gallery, Milton Keynes, United Kingdom

7 October 2023 – 28 January 2024

Life Is More Important Than Art
Whitechapel Gallery, London

14 June – 17 September 2023

Oliver Laric

Mémoire vive
Musée de la Romanité, Nîmes

21 April – 31 December 2023

Nicole Ondre

Solo exhibition
Tanya Leighton, Berlin
Spring 2024

Oliver Osborne

Solo exhibition (curated by Alberto Salvadori)
Fondazione ICA Milano
2025

Tanya Leighton, Berlin

6 July – 17 August 2024

Dan Rees

Publication: World of Art: Contemporary Painting
Suzanne Hudson, published by Thames & Hudson

Jimmy Robert

Publication: The Man Who Envied Women
Kirsty Bell, Elisabeth Lebovici, Bart van der Heide, Nana Adusei-Poku et al., published by Bierke
January 2024

Asymmetrical Grammar
Moderna Museet, Malmö
1 April–3 September 2023

Elif Saydam

Solo exhibition
Kunsthal Thy, Denmark
2025

Solo exhibition
Audain Gallery, Simon Fraser University, Vancouver

17 October – 14 December 2024

Die Wissen
nGbk, Berlin

16 December 2023 – 18 February 2024

Eviction Notice
Oakville Galleries, Gairloch Gardens, Toronto

1 October 2023 – 6 January 2024

John Smith

Small World
13th Taipei Biennial, Taipei City

18 November 2023 – 24 March 2024

Atlas of Modernity. Exercises
Muzeum Sztuki, Łódź
1 October 2021 – Ongoing

Studio for Propositional Cinema

Publication: Myths and Manifestos
Published by Kunstverein München and Verlag der Buchhandlung Walther und Franz König

Marianne Wex

The Lives of Documents—Photography as Project
Canadian Centre for Architecture, Montréal

3 May 2023 – 3 March 2024

Publication: Masculinities: Liberation through Photography
Edited by Alona Pardo, published by Prestel Publications

Visit our shop

David Diao

Front to Back

13 July – 21 September 2014, Aldrich Contemporary Art Museum, Connecticut

Installation view

David Diao

Front to Back

13 July – 21 September 2014, Aldrich Contemporary Art Museum, Connecticut

Installation view

David Diao

Front to Back

13 July – 21 September 2014, Aldrich Contemporary Art Museum, Connecticut

Installation view

David Diao

Front to Back

13 July – 21 September 2014, Aldrich Contemporary Art Museum, Connecticut

Installation view

David Diao

Front to Back

13 July – 21 September 2014, Aldrich Contemporary Art Museum, Connecticut

Installation view

David Diao

Front to Back

13 July – 21 September 2014, Aldrich Contemporary Art Museum, Connecticut

Installation view

Press release

David Diao

Front to Back

13 July – 21 September 2014, Aldrich Contemporary Art Museum, Connecticut

The second installment of The Aldrich Contemporary art Museum’s 50th Anniversary exhibitions program will commence with a free opening reception to celebrate David Diao: Front to Back on Sunday, July 13, 2014.

This presentation brings together a selection of paintings that span the years 1971 to 2012, demonstrating a timeline of Diao’s sustained dialogue with Modernism, as well as his relationship to the art world and the critical establishment.

David Diao: Front to Back is the latest in a series of solo exhibitions that acknowledge artists whose early careers are closely connected with the history of the Museum. Larry Aldrich, the Museum’s founder, purchased one of David Diao’s paintings in 1969 and his work was featured in exhibitions at the Museum in 1971, 1987, 1992, and 1996.

Exhibitions director Richard Klein said, “The artist’s response to this history is an exhibition that references the idea of a retrospective, but casts it in the unique light of the body of work Diao has done that focuses on his own career as well as the nature of the art world in which he finds himself embedded. The title Front to Back implies a chronological read, and the exhibition does indeed include works from the beginning of the artist’s career as well as from the recent past; but the reference goes deeper, speaking of Diao’s ongoing interpretation of Modernism and, since 1984, the extensive use of text in his paintings.”

Klein continues, “Usually, art that is based in either the social or the political is ineffectual because the finger pointing is directed out towards the morally obvious. Diao, through his recent work, has held a mirror up to himself and the community he inhabits and the results are complex, nuanced, and often uncomfortably self-conscious—just like the truth.”

Download press release

Read more
✝