Matthew Krishanu ‘Arrow and Pulpit’ 6 November – 17 December 2021 Kurfürstenstraße 24/25, Berlin
A picture stuck in the mirror
Henry Art Gallery, University of Washington, Seattle
16 October 2021 – 6 March 2022
Moravian Gallery, Brno
Teatro San Martín, Buenos Aires
University of Kentucky Art Museum, Lexington, Kentucky
10 August – 11 December 2021
Garage Exchange: Aleksandra Domanović and Jen Liu
The MAK Center: Mackey Garage Top Gallery, Los Angeles
21 October 2021 – 9 January 2022
Yesterday we said tomorrow
Prospect 5 Triennial, New Orleans
23 October 2021 – 23 January 2022
Pictured as a Poem
KAI10 Arthena Foundation, Düsseldorf
17 October 2021 – 23 January 2022
One Escape at a Time
11th Seoul Mediacity Biennale, Seoul
8 September – 21 November 2021
Appui, tendu, renversé
CRAC Occitanie in Sète, France
9 October 2021 – 6 February 2022
John Smith, solo exhibition
Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany
A Manual for Retaining Light in Dark Ages
Museum Abteiberg, Mönchengladbach
20 March – 25 September 2022
Tanya Leighton, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Vanessa Boni
Associate Director: Simon Gowing
Gallery Manager: Melanie Isabel García
Registrar: Henry Babbage
Finance Manager: Stefan Schuster
Gallery Assistant: Roberta Cotterli
Tanya Leighton Berlin
Kurfürstenstraße 156 & 24/25
Berlin 10785 DE
Tanya Leighton Los Angeles
4654 W Washington Blvd
LA 90016 CA
Open Tuesday – Saturday
11am – 6pm and by appointment
3 November 2017 – 22 April 2018, Jewish Museum, New York
Commissioned for the lobby of the Jewish Museum, an installation by artist Math Bass traces the symbols and ceremonies of her Jewish upbringing.
Math Bass’s work encompasses painting, sculpture, video, and performance. She situates her production in an indeterminate zone where image, object, and language are fluid. In Crowd Rehearsal, a svelte, ladderlike sculpture draped with a coatlike painting is set against two canvases with nearly identical imagery. The title and forms suggest but do not show human bodies and actions. Does the title invite the viewer to take part in a performance? Or does it imply that this is only a run-through for something yet to come? Bass has opened up authorship to create a shared experience between artist and audience.
Bass grew up in a Jewish home, regularly attending temple, where ceremonies, rituals, and text influenced her predilection for the shrouding, pictographs, and repetition that infuse Crowd Rehearsal. Cloaked forms and empty spaces punctuate these works, imbuing them with a sense of contingency or incompleteness. This resistance to fixity is in tension with her hard-edged, graphic style.
The two paintings are part of a series begun in 2012. Each shares a title whose letters—N, E, W, and Z—can be rotated to form Z, W, M, and N. These small shifts turn a comprehensible word into a collection of random letters and highlight the instability and mutability of meaning.
Math Bass was born in New York in 1981 and lives and works in Los Angeles.