Math Bass ‘clown alley’ 22 January – 5 March 2022 Kurfürstenstraße 24/25, Berlin
Antonio Ballester Moreno ‘ANOTHER DAY’ 1 February – 12 March 2022 4654 W Washington Blvd, LA
Felix Los Angeles 17 – 20 February 2022 Hollywood Roosevelt Hotel, LA
Hiroka Yamashita 12 March – 23 April 2022 Kurfürstenstraße 24/25, Berlin
A picture stuck in the mirror
Henry Art Gallery, University of Washington, Seattle
16 October 2021 – 6 March 2022
Moravian Gallery, Brno
Kunstverein für die Rheinlande und Westfalen, Düsseldorf
12 February – 24 April 2022
Fondazione Sandretto Re Rebaudengo, Turin
5 November 2021 – 30 January 2022
Yesterday we said tomorrow
Prospect 5 Triennial, New Orleans
23 October 2021 – 23 January 2022
The Beauty of Early Life
ZKM Center for Art and Media, Karlsruhe
26 March – 10 July 2022
Tanya Leighton, Berlin
30 April – 25 June 2022
John Smith, solo exhibition
Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany
A Manual for Retaining Light in Dark Ages
Museum Abteiberg, Mönchengladbach
20 March – 25 September 2022
Tanya Leighton, Berlin, established in 2008, is dedicated to developing a cross-disciplinary, trans-generational gallery programme with off-site projects, in collaboration with artists, filmmakers, critics, art historians, and curators. Its international exhibition programme reflects a variety of opinions and practices as well as Leighton’s associations with American and British experimental cinema, artist’s film and video, performance, minimal and conceptual art.
Director: Vanessa Boni
Associate Director: Simon Gowing
Associate Director, Los Angeles: Andrew McNeely
Associate Director, Berlin: Melanie Isabel García
Registrar and Exhibition Manager: Adina Laub
Gallery Manager: Clelia Colantonio
Finance Manager: Andrea Núñez
Tanya Leighton Berlin
Kurfürstenstraße 156 & 24/25
Berlin 10785 DE
Tanya Leighton Los Angeles
4654 W Washington Blvd
LA 90016 CA
Open Tuesday – Saturday
11am–6pm and by appointment
Open Wednesday – Saturday
11am–6pm and by appointment
23 March – 11 June 2017, Henry Moore Institute, Leeds, UK
This spring we invite Aleksandra Domanović (b. 1981) to create new sculptures that respond to our building. An important part of our exhibition programme is our continuing series of commissions for artists researching new thinking in the field of sculpture studies.
Domanović’s work is of both the past and the future, folding the aesthetic of classical sculpture into her investigation into how developing technology relates to the societies that create it. For Domanović technology is always gendered. Her sculptures are a collision of references that reflect the circulation and reception of images in digital media.
Votives presents new sculptures made in the tradition of Greek Korai, sculptural dedications of female figures that hold offerings. Three of Domanović’s figures hold animals and fruit – taking their cue from votive statues from the Sanctuary of Hera in Samos, Greece, which are now housed in the Altes Museum in Berlin where the artist is based.
Another three sculptures reimagine the Korai in a sports context. Displayed alongside these six Votives stands a series of monolithic vertical monuments made of over 10,000 sheets of stacked A4 paper. These Paper Stacks address the reproducibility of images on the internet. Images are formed on each side of the sculptures by using the borderless function on an inkjet printer, a machine that less than a decade ago was the height of home-office technology, but now is near obsolete.
In our central gallery is the monumental votive ‘Calf Bearer’ (2017). Over four metres tall, it draws on both Domanović's recent research into molecular biology and the ancient Greek sculpture ‘Moscophoros’ – a statue of a man carrying a sacrificial calf on his shoulders. Presumed to have been built as a votive offering to the goddess Athena, it was found in fragments in the Athens Acropolis.
Votives also shows ‘Turbo Sculpture’ (2010–13), a moving image work underscoring the artist’s concern with the public life of sculpture. It interrogates the phenomenon of public sculpture in the former Yugoslavia, the artist’s country of birth, dedicated to non-national media celebrities, such as Bruce Lee, Bob Marley and Samantha Fox.