What is the Proper Way to Display a Flag?
Museum für moderne Kunst, Weserburg
19 November 2022 – 23 April 2023
Born 1970, Baltimore. Lives and works in Philadelphia.
Art on the Underground, London (forthcoming)
What Do We Want, Neuer Berliner Kunstverein, Berlin
Ricerche, The Common Guild, Glasgow
An Army Of Lovers Cannot Lose, Tanya Leighton, Berlin with Kristina Kite Gallery, Los Angeles
What is the Proper Way to Display a Flag?, Museum für moderne Kunst, Weserburg (forthcoming)
Paint the Protest, Off Paradise, New York (forthcoming)
To Begin Again: Artists and Childhood, The Institute of Contemporary Art, Boston
Shifting the Silence, SFMoMA, San Francisco
Performing Past-Present: Transforming Reenactment, Cantor Fitzgerald Gallery, Haverford College, Pennsylvania
A Decade of Acquisitions of Works on Paper, The Hammer Museum, Los Angeles
After August Sander, Museum für Gegenwartskunst, Siegen
All that We Have In Common, MoCA Skopje, North Macedonia
Yesterday we said tomorrow, Prospect 5 Triennial, New Orleans
Pictured as a Poem, KAI10 Arthena Foundation, Düsseldorf
One Escape at a Time, 11th Seoul Mediacity Biennale, Seoul
Burning Speech, Fondazione Sandretto Re Rebaudengo, Torino
New Grit: Art & Philly Now, Philadelphia Museum of Art
Mapping the Collection, Museum Ludwig, Cologne
Commonwealth, Institute for Contemporary Art, Virginia
Deutsche Bank, the main sponsors of the Frieze Art Fair 2008, invited Sharon Hayes to create a unique artists' edition. 15 free editions could be found in the Deutsche Bank magazine, available at the fair. Hayes’s edition, I KNOW THAT THE EARS ARE THE ONLY ORIFICE THAT CAN’T BE CLOSED, 2008, explores the mapping of political desire onto personal desire and vice versa.