STUDIO FOR PROPOSITIONAL CINEMA
(To the Spectator:)
3 September - 8 October
OPENING 2 September, 6-9PM
OPENING SPEECH 6:30PM


(TO THE SPECTATOR:)

IMAGES (&/OR) LANGUAGE (&/OR) GESTURES (&/OR) FICTIONS:

ALL IN TIME:
(FROM THE 18TH HOUR OF THE 2ND DAY OF THE 9TH MONTH
THROUGH THE 18TH HOUR OF THE 8TH DAY OF THE 10TH MONTH
OF THE 2,016TH YEAR)

& CONSISTING OF:

1. CONSTRUCTIONS:
PICTORIAL, TEMPORAL, HYPOTHETICAL

& 2. CONDITIONS:
LINGUISTIC, SPATIAL, DISTRIBUTIONAL

& 3. CONSEQUENCES:
PLACED WITHIN & DISPERSED INTO NETWORKS OF SOCIAL RELATIONS, REFLECTING SURROUNDINGS, LIKE KNIVES IN WATER

(THREE TENUOUS PLANES OF FOCUS
VARIEGATING:
WITH FLUCTUATIONS IN OXYGEN LEVELS,
BY THE WEIGHT OF A FINGERPRINT)

& APPEARING ONLY LONG ENOUGH TO SUGGEST
WHAT COULD HAVE BEEN
& REMEMBERED ONLY INSOFAR AS THEY SUGGEST
WHAT STILL COULD COME:

A LENS AS A CONDUIT CONSTRUCTED TO BE FOGGED
A SKIN AS A PRECIPICE DESIGNED TO BE FLAYED


Studio for Propositional Cinema
‘(FOR WHOMEVER, PLEASE TAKE)*’, 2016
Offset print on paper
29 x 21 cm
11 3/8 x 8 1/4 in
(SFPC-2016-0025)




Studio for Propositional Cinema, '(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema, '(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'SITUATING THEMSELVES IN ORDER TO VIEW...', 2016
Two engraved aluminium plates
9 x 13 cm
3 1/2 x 5 1/8 in
Edition of 1 + 1 AP
(SFPC-2016-0024)




Studio for Propositional Cinema
'SITUATING THEMSELVES IN ORDER TO VIEW...', 2016
Two engraved aluminium plates
9 x 13 cm
3 1/2 x 5 1/8 in
Edition of 1 + 1 AP
(SFPC-2016-0024)



Studio for Propositional Cinema
'SITUATING THEMSELVES IN ORDER TO VIEW...', 2016
Two engraved aluminium plates
9 x 13 cm
3 1/2 x 5 1/8 in
Edition of 1 + 1 AP
(SFPC-2016-0024)



Studio for Propositional Cinema, '(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema,
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema, '(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'TO THE SPECTATOR:', 2016
Silver and gold spray paint and adhesive tape on 100 offset prints on paper
148.5 x 420 cm
58 1/2 x 165 3/8 in
(SFPC-2016-0026)



Studio for Propositional Cinema
'TO THE SPECTATOR:', 2016
Silver and gold spray paint and adhesive tape on 100 offset prints on paper
148.5 x 420 cm
58 1/2 x 165 3/8 in
(SFPC-2016-0026)



Studio for Propositional Cinema, '(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'UNFURLING WITHIN NETWORKS OF GAZES, REFLECTIVE PLANES OF & IN TIME CATCH & CONTORT, BEFORE & BEHIND & BESIDE THEM & FOLDING OUT LIKE SKINS', 2016
A linguistic structure consisting of 112 characters constructed: 1. In relation to a given passageway, 2. With a silver approximating the mirrors in 'A Bar at the Folies-Bergère' by Édouard Manet (within which they reflect), & 3. By or in consultation with Studio for Propositional Cinema &/or their representatives.
(SFPC-2016-0028)



Studio for Propositional Cinema
'UNFURLING WITHIN NETWORKS OF GAZES, REFLECTIVE PLANES OF & IN TIME CATCH & CONTORT, BEFORE & BEHIND & BESIDE THEM & FOLDING OUT LIKE SKINS', 2016
A linguistic structure consisting of 112 characters constructed: 1. In relation to a given passageway, 2. With a silver approximating the mirrors in 'A Bar at the Folies-Bergère' by Édouard Manet (within which they reflect), & 3. By or in consultation with Studio for Propositional Cinema &/or their representatives.
(SFPC-2016-0028)



Studio for Propositional Cinema
'AS PLASTIC AS MARBLE AS IF EMBALMED TENTATIVELY SECLUDED & EVIDENTLY EXAMINED', 2016
A linguistic structure consisting of 78 characters constructed: 1. In relation to a given passageway, 2. With a green approximating the bench in 'In the Conservatory' by Édouard Manet (upon which she sits), & 3. By or in consultation with Studio for Propositional Cinema &/or their representatives.
(SFPC-2016-0029)



Studio for Propositional Cinema
'BEING OBSERVED, SHE TURNS HERSELF INTO AN IMAGE, FOR HIM BUT FROM WHICH HE IS CROPPED', 2016
A linguistic structure consisting of 68 characters constructed: 1. In relation to a given passageway, 2. With a blue approximating the dress in 'Nana' by Édouard Manet, & 3. By or in consultation with Studio for Propositional Cinema &/or their representatives.
(SFPC-2016-0030)



Studio for Propositional Cinema
'TENUOUS PLANES OF FOCUS: VARIEGATING WITH FLUCTUATIONS IN OXYGEN LEVELS BY THE WEIGHT OF A FINGERPRINT', 2016
A linguistic structure consisting of 87 characters constructed:
1. In relation to a given passageway, 2. With a yellow approximating the lemon in 'Luncheon in the Studio' by Édouard Manet (around which they pose), & 3. By or in consultation with Studio for Propositional Cinema &/or their representatives
(SFPC-2016-0027)



Studio for Propositional Cinema
'A QUANTITY OF LIGHT . . ., A REVERBERATING OF METALS . . ., A SEQUENCING OF MOMENTS . . .', 2016
Silver ink on 27 aluminium offset printing plates
74 x 60 cm (each)
228 x 564 cm (installation)
29 1/8 x 23 5/8 in (each)
89 3/4 x 222 1/4 in (installation)
(SFPC-2016-0031)



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin



Studio for Propositional Cinema
'(TO THE SPECTATOR:)'
Installation view, Tanya Leighton, Berlin